| | A discreet brass plaque on a Bloomsbury door in 1868, a governess who has discovered the precise nature of her own desires, and a growing network of women who understand that what a failing wife actually needs is not patience or lectures but firm discipline administered behind a locked door. Explicit, historically rich, and unlike anything else in Victorian spanking fiction. Word count: 68,000+ | |
| | 1872, and The Hammond Agency sends Lydia Webb to correct a failing wife in Kent. Lydia has reformed seven women in four years. She has never met anyone like Penelope Hutchinson, who is not clumsy, is not failing, and has been deliberately breaking things for months hoping someone would finally give her what she needs. Explicit, psychologically precise, and unlike anything else in Victorian F/F spanking fiction. Word count: 57,000+ | |
| | Episode 1 - 20 - A hotel owner near Birmingham bends over a guest's knee on a Tuesday morning in 1990 to save a booking, discovers something about herself she had no idea she needed, and by the end of the week has decided that this is the additional service that will save the hotel. The Happy Stay Spanking Hotel is open for business. Word count: 80,000+
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| | A private retreat on forty acres of unmarked land, a doctor who built it around a single organising principle, and daughters of the wealthy who arrive in the back of anonymous cars not entirely sure what their fathers have purchased. The alignment, as Merewood calls it, is a spanking. The girls leave quieter. Most of them find reasons to return. Word count: 69,000+
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| | Behind its respectable grey stone facade, the Railway Hotel serves one purpose: to give women what polite Victorian society will not. Five guests arrive across five stories with desires buried under decades of propriety and find Mrs. Vivienne Hutchinson waiting, unhurried and exacting, at the door. Word count: 50,000+ | |
| | This collection follows five women exiled to Cord Walker's Montana ranch, where his rules are absolute, his hand and belt enforce every lesson, and surrender over his knee becomes the price of redemption and love. Word count: 51,000+ | |
| | Major Rogue Kensworth arrives in five different households across 1950s England and Texas, and in each one turns a defiant young woman and her sceptical mother into two women who cannot stop trembling under his exacting, patient discipline. Word count: 66,000+ | |
| | A retired couple let their upstairs flat to a young newlywed pair, and within three months the landlady has Riley over her knee for unpaid rent. What follows is considerably more interesting than a tenancy agreement. Word count: 50,000+
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| | A twenty-eight-year-old regional manager stays at his in-laws' Bournemouth guesthouse during his work weeks, develops a habit of arriving home drunk, and discovers that his mother-in-law Pamela has a hairbrush and an entirely different approach to the situation than he expected. His wife knows nothing. His erection, once Pamela has finished, knows everything. Word count: 48,000+ | |
| | Two young women, no jobs, no rent, and a landlord with a hairbrush who offers them a straightforward arrangement. Anna works out the maths. Penny pretends to be horrified. Both of them know they are going to say yes. Two years of pandemic survival, told by Penny, with warmth, humour, and not a dull page. Word count: 38,000+
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